Tag Archives: arts education

ARLGS library visits: the Royal Conservatoire of Scotland and the National Piping Centre

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The Whittaker Library at the Royal Conservatoire of Scotland

Late last month, Academic and Research Libraries Group Scotland (ARLGS) held an afternoon of visits to the libraries of the Royal Conservatoire of Scotland (RCS) and the National Piping Centre (NPC) in Glasgow. Both venues hold fascinating collections, and the visits were a great chance for library and information professionals from across Scotland to see the collections and meet the librarians behind them.

The RCS and the Whittaker Library

Co-ordinated by ARLGS’ event planner, Isabelle Bridoux, the afternoon began at the Royal Conservatoire of Scotland, where librarian Dr. Karen McAulay gave a talk on the history of the performing arts school and its Whittaker Library. Founded in 1847 as the Glasgow Athanaeum, the school quickly became one of the largest and busiest performing arts schools in the country. It has been based at its current site on Glasgow’s Renfrew Street since 1988, and is now considered one of the world’s best performing arts schools.

Dr. McAulay’s stories about the foundation of its Whittaker Library were particularly interesting – it was set up by the school’s janitors and began as a small, closed access collection, which has adapted over the years into the expansive, comprehensive collection of music, drama, dance, production and film which serves the RCS’s students and staff today.

The Whittaker Library’s LP collection

Dr. McAulay spoke about the challenges the library team have faced over the years, including some difficult decisions they have had to make in limiting their collection of physical resources to cope with demands on space. It was apparent how much work has gone into adapting the collection to keep up with the rapidly growing student base and the new courses the school launched in recent years, and Dr. McAulay emphasised that the increasing availability of electronic resources had helped to facilitate this. However, the unique value of their print and physical resources was also evident, and it seemed that striking a balance was important. The library has retained an impressive collection of CDs, LPs and DVDs, and Dr. McAulay emphasised the continuing value of these formats – there are many unique recordings which do not end up available online.

The New Athenaeum Theatre at the Royal Conservatoire of Scotland

The visit to the RCS ended with a tour of the rest of the school (including the New Athenaeum Theatre, the opera school, and an impressive wall of fame).

The National Piping Centre

On arrival at the National Piping Centre, a presentation (and bagpipe performance!) was given by librarian James Beaton. The piping centre operates as an educational charity, promoting the study and the history of piping in Scotland.

The centre has a small internal lending library for students and staff, which holds a large collection of material for studying piping, including printed books, manuscripts, sounds holdings, and teaching tapes. The collections held in the library are truly unique. James Beaton’s talk covered the oral tradition of piping – there was no literature on piping at all until the 18th Century, and older resources relating to piping are rare, making the collection of older material presented during the visits particularly special.

Examples of the collection at the National Piping Centre

The talk covered a varied and interesting range of topics, touching on the complexities of indexing such specialist and valuable material, and the process of and issues around digitising such resources for the library’s online catalogue.

 

Final thoughts

This event showcased the value of libraries in creative and academic institutions, as well as the challenges faced by the librarians who run them. A particular theme which ran through the afternoon’s discussion was the importance of the creative arts in education. Concerns were cited about the decline in subjects like music and drama in schools and the potential impact on the arts industry, and it stood out that libraries like these are playing a vital role in facilitating the continued study of the creative arts.

Creative contribution – the value of arts education

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künstlermaterial

By Heather Cameron

According to the Creative Industries Council (CIC) it’s “an exciting and pivotal time for the UK’s creative industries”, with recent statistics showing that the sector punches above its weight in terms of the economy, generating £71.4 billion gross value added (GVA) in 2012 – a 9.4 % increase that surpasses the growth of any other UK industry sector.

Five priority areas for focus were identified by CIC in their recent strategy for the sector:

  • access to finance;
  • education and skills;
  • infrastructure;
  • intellectual property;
  • and international (exports and inward investment).

Despite the positive value of this sector, there are a number of challenges which could hinder progress, particularly in relation to education.

A lack of investment in arts and crafts subjects could have serious consequences for the future of higher education (HE) in the arts and ultimately for the creative industries sector. Francine Norris, Director of Education at West Dean College, which offers courses in conservation and visual arts, recently commented that the government needs to wake up to the fact that arts and crafts underpin the UK’s world-leading creative industries sector. The CIC has highlighted craft as a fundamental component of the UK’s creative industries, employing over 100,000 people and showing an above average increase in GVA between 2008 and 2012.

The National Society for Education in Art and Design (NSEAD) has argued that government policy changes have had a negative impact on the subject. In their most recent survey of art, craft and design educators, which considered the position and value of the subject in schools in the last three years (2011-2014), NSEAD concluded that:

“Performance measures continue to erode provision at key stage 3 and 4; fewer specialist teachers are being trained and there is a paucity of subject specific professional development; learning opportunities for pupils both in school and within the cultural sector have diminished; and the subject lacks value, especially in the state school sector.”

NSEAD has also noted that the number of candidates (male and female) sitting GCE A level art and design subjects continues to fall, with a total of 44,922 sitting the exam this year, compared to 45,336 in 2013 and 46,483 in 2012 when numbers peaked.

According to a recent Crafts Council report, the number of arts GCSEs studied by children has fallen by 14% since the English Baccalaureate (EBacc) was introduced in 2010. Arts subjects are not included in the EBacc, which is currently the main performance measure for schools, so it is unsurprising that participation has decreased at a time when schools are under increasing pressure to meet performance targets.

Added to this, the Cultural Learning Alliance has commented on figures released earlier this year by the Department for Education, suggesting that the arts are experiencing a disproportionate decline in provision. According to the data, the number of hours that arts subjects are taught and the number of arts teachers in England’s secondary schools have fallen since 2010 by up to 11%. In contrast, the EBacc subjects of history and geography have seen the number of teachers and hours taught rise between 7% and 12%.

The problem continues at the level of higher education, with university places in the arts and crafts also declining in the face of high tuition fees and a lack of funding. The Crafts Council highlights a 39% decline in the number of arts and craft courses available in the five years to 2012, down from 820 courses in 2007/08 to 500 in 2011/12.

Surely if the outstanding economic contribution of the creative industries sector is to continue, then the value of arts education must be recognised and continue to be sufficiently supported? A review by the Arts Council, which reported that learning through arts and culture improves attainment across many other aspects of the school curriculum, also highlighted gaps in research evidencing the benefits of arts and culture, concluding that:

“Driving the development of evidence and research in understanding the impact arts and culture plays on the wider society will be critical to shaping and developing arguments in favour of sustained public investment in arts and culture.” 

Perhaps this lack of evidence of the value of the arts is what needs to be addressed in order to increase awareness.

 

Further reading

Evaluating Sistema Scotland: ‘arts and smarts’ – assessing the impact of arts participation on academic performance during school years, systematic literature review (Work package 2)

Creating artists’ workspace

Embedding arts and humanities in the creative economy: the role of graduates in the UK, IN Environment and Planning C: Government and Policy, Vol 32 No 3 Jun 2014, pp426-450

The value of arts and culture to people and society: an evidence review

Building a creative nation: evidence review

Arts and crafts: critical to economic innovation, IN Economic Development Quarterly, Vol 27 No 3

The contribution of the arts and culture to the national economy

The Idox Information Service has a wealth of research reports, articles and case studies on a range of arts and culture topics. Abstracts and full text access to subscription journal articles are only available to members.